Pintucks Part 2: How I salvaged Dress View A with a few modifications to McCall’s 8531 for Francie #MeMadeMonday #SewVintage

How to make a dress with pintucks. Pictured are a finished bright yellow doll's dress with the top half showing a full set of pintucks all the way across the dress's upper half. An arrow points to the View A drawing on the McCall's 8531 doll clothes sewing pattern envelope. Beside this is the enlarged image of the drawing from the front of the envelope, sewing an artist's rendition of Francie wearing the same dress as the photo on the left, but the dress in the drawing is white, and it also shows Francie wearing a little lace cap.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

In last Monday’s post, you heard about how, even I — a very experienced doll clothes sewing enthusiast — struggled to understand the wording “… stitching back ‘Hemlines’ from top as far as lower ends of tucks” in the McCall’s doll clothes pattern 8531 for Mattel’s vintage Francie dolls.

I also learned that the estimate in the pattern for how much fabric you would need to create a fully pintucked upper section of the dress didn’t even come close to how much fabric I really needed! In fact, I recommend doubling the pattern size they give you before you mark your pintuck lines.

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On the right half of a long, eight-inch wide swatch of yellow fabric, someone has sewn tiny vertical pintucks in the top half of the yellow fabric while the bottom half of the yellow fabric expresses a ruffled look in response to the vertical pintucks. Along the center of the yellow fabric, we see that a new swatch of yellow fabric has been sewn to the pintucked area, extending the yellow fabric another eight or ten inches longer. This extension of the yellow fabric has pink chalk marks for hemlines and pintucks, but it has not been sewn.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

So needless to say, McCall’s 8531 for Francie started off with some really big challenges. If you’re new to sewing, and you want to try McCall’s 8531, I recommend starting with a different outfit than the one pictured in View A.

If you’re more experienced, even if you’ve never created pintucks before, you may be able to create a lovely View A dress for your vintage Francie doll by reading through some of the lessons I’ve learned along the way. If I were you, I’d go back to Monday’s blog post to make sure you don’t make the same mistakes I did, and then return to today’s post to see what else I’ve learned from this project.

In the image above, you can see how I drew even more pintuck lines on a second piece of yellow fabric, attaching this new piece onto the one I’d already been pintucking since the start.

I was surprised to discover that the pintucks gave elasticity to the fabric. It wasn’t like Spandex or anything that stretchy, but it was no longer stiff, like 100% cotton typically is (and yes, I was using 100% cotton). In the image below, you can see that the pintucks were creating a lovely ruffle at the bottom of the fabric (Figure 1).

View 1: a woman’s fingers hold out the gathered-look of the yellow skirting under a row of a dozen or so tiny pintucks in bright yellow fabric. The pintucks form vertical rows at the top of the swatch of fabric while the skirting flows in waves beneath the pintucks, all as one piece of fabric. View 2: McCall’s 8531 eleven and a half inch doll; guide for dress A. This hand-drawn pattern is shown atop the pintucked yellow fabric, with the following markings on the pattern: lower end of tucks appears as a line at the center of the pattern; hemlines are shown at right, left, and bottom of the pattern; three snaps are drawn for closures at the right and left of the pattern, with the snaps running vertically down the back closure area of the dress (one at top, one at the “lower end of tucks” line, and one at the top of the hemline); two slashes for armholes appear at the top of the pattern, spaced evenly apart. View 3: The pattern’s instructions read as follows: Place tissue pattern guide for Dress A over tucked fabric for Dress A, RIGHT SIDES UP, lower and back edges even. Pin to position along center lines and within shoulder and neck seam allowances of tissue pattern. Cut pattern and fabric together thru the white center of the double cutting line at top. Before removing pattern, mark seam lines at neck, shoulder and armhole edges, also slash lines for armholes. View 4: The pattern’s instruction sheet reads as follows: “Machine stitch along seamlines at neck and armhole edges only.” The diagram shows that the neckline and armhole areas have been clipped and machine stitched, while the back closure and bottom hem of the dress shows hems in progress.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

When I got that much pintucking done (Figure 1), I decided I was probably supposed to have hemmed the skirt part of the garment before I did the pintucks. I was thinking, That might be what the instructions meant when they suggested that I should be “… stitching back ‘Hemlines’ from top as far as lower ends of tucks.” They were just talking about an ordinary hem, right?

I pinned my pattern over the top of the pintucks, but I also knew that the back closure would need hemmed. So if you look closely at Figure 2 (above), you’ll notice on the right-hand side of my hand-drawn pattern, there are no pintucks. That leaves a bit of open fabric for the dress’s back closure.

About this time, I started wondering how I was going to hem the neckline and sleeves. I went back to the instruction sheet. In Figure 3, you can see that they had not intended for me to hem the skirt first. So I still hadn’t figured out the mysterious wording about hemlines. And then, have a look at Figure 4 up there. Do you see what they wanted me to do?

Yeah–NOPE. After pintucking all that fabric, there was no way I was going to get it to lay flat by just clipping and sewing it down. Not gonna happen! After all those pintucks, the fabric was thicker than heavy corduroy! It was NOT going to fold like that. Never in a million years.

So I came up with my own plan.

Atop the view 5 image from Chelly Wood’s rendering of McCall’s 8531 View A dress, a rectangle of yellow fabric has been cut to resemble the top of the View A dress which lies on a cutting mat without having had its shoulder seams sewn. Along the left side of this rectangular bodice lining swatch of fabric, we see the remnants of pink pintuck lines drawn in chalk that were never actually realized as real pintucks. Below this rectangle is the pintucked dress, cut to match the drawn pattern, and we see that the edging of the cut dress has been cut to be identical to one edge of the rectangle. View 6 shows the right side of the bodice lining with first a row of gathered lace and over top of this, a row of eyelet lace, both of which have been sewn to the bottom of the bodice lining, on the RIGHT SIDE. View 7 shows a needle and thread have been applied to hand stitch the back closure of dress View A, attaching the rectangular bodice lining to the dress itself, along the back closure area.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

In Figure 5, you can see that I used my traced pattern to create a lining for the bodice, which seemed like a much more reasonable way to get the collar and arm holes to lay flat. See the pink chalk pintuck lines on this adapted bodice lining? After I had done enough pintucks to make the whole dress pattern fit over my pin tucks, I had a little leftover fabric, so I used that to cut my lining.

Another possibility that I thought of was the use of a quarter-inch double-fold bias tape binding to finish the neckline and arm holes. Hindsight being 20/20, I think the bias tape would have created a better finished product. It might have left me with less bulk around the neckline and armholes. I can’t be sure, but that’s kind of what I’m thinking.

In Figure 6, you’ll see that I’ve sewn some eyelet onto the bottom of my bodice lining. The instructions asked me to sew it directly into the dress, but that would have left a weird topstitch running lengthwise across the bottom of the pintucks on the outside/right side. So again, I ignored the instructions and did my own thing.

In Figure 7, you’ll see that I’m sewing the bodice lining to the dress at the back closure where the neckline meets the back closure. I also attached the lining to the dress at each armhole and around the neck at the front of the dress. Then I clipped my seams before flipping the bodice lining right side out.

Figure 8. Chelly Wood's hand connects the pintucked front of the View A dress from McCall's 8531 to the pin tucked back of the dress, at the shoulders. We can see where a lining has been sewn at the back closure, neckline, and armholes, creating a finished look to these areas of the dress. The lace and eyelet "petticoat" is barely visible on the wrong side of the dress. The skirt of the dress has not yet been hemmed, but a pink chalk line marks where the hem will be, on the wrong side of the dress.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

I sewed the dress together at the shoulders (see Figure 8 above), so the only thing left to do was to hem the bottom, finish hemming the lower half of the back closure, and decide on a method to seal the dress shut in the back.

I added six snaps to the back, double what the pattern and instructions suggested. Because, well… Seriously? Only three snaps? That seemed a little ridiculous for a dress this size.

In my assessment of McCall’s 8531 — now granted, I had only made the View A dress so far, but — I had decided, already, that there was a very good reason why this pattern was super rare and hard to find online. I’m thinking nobody bought this pattern because it was really, really hard to follow the directions!

With the snaps attached to the thing, though, I was now ready to try it on Francie.

On a bright and colorful Paris street, a vintage Francie doll models the pintucked yellow dress from McCall's 8531. We see her (far left) at a slight angle, showing the pintucks running under her arm; we see her (center) facing us, demonstrating the fullness of her dress's below-the-knee ruffled skirt; we see her (far right) in profile, showing very subtly that the pintucks are even visible in the back of the dress. She wears the yellow plastick square toed shoes with a slight boxy heel that were popular for vintage dolls like Francie in the late 1960s and early 1970s.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

Now that it’s done, I think I should have used a longer swatch of pre-gathered eyelet lace for the petticoat. Or maybe I should have designed my own gathered petticoat, as a separate garment, to go underneath the whole thing. The eyelet swatch was only an inch and a half wide and four inches long, so I don’t think it really makes the skirt any fuller.

On the whole, though, the dress is cute enough. I think kids will want to play with it. In fact, a friend of my husband’s brought his 7 or 8 year old daughter over the other day, and it was the first dress his little girl wanted to try on my dolls.

So it definitely has some play-with-able value, even though it’s a bit bulky around the neck and armholes.

A vintage Francie doll from Mattel stands in front of a white boutique building with purple trim and a purple awning. She models a handmade yellow dress with pinstripes running from the neckline to her lower waist. At the waist, her lovely springtime yellow skirt billows out to a hem that reaches just below the knee. Her plastic yellow shoes have square toes, as was popular in the late 1960s and early 1970s. Learn more at chellywood.com.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

Question: What are your thoughts on McCall’s 8531 for Francie? Which of the outfits looks easiest/hardest from the pattern? And do you have any tips to add, when it comes to pin tucks? Please leave your thoughts in the comments section below.

Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

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4 thoughts on “Pintucks Part 2: How I salvaged Dress View A with a few modifications to McCall’s 8531 for Francie #MeMadeMonday #SewVintage

  1. Dear Chelly, thanks for your blog post on the vintage McCall’s Francie doll pattern. I own four Francie dolls — vintage Malibu Francie, 30th Anniversary Francie in Gad Abouts, 50th Anniversary Francie in Miss Teenage Beauty and 55th Anniversary Black Francie in Floating In. To me, the hardest part of the pattern is the pintucks. If I want to get this pattern, I’ll have an experienced seamstress to make the difficult outfits.

    Thanks again and Happy Cyber Monday to you,
    Trisha

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