Sew a Pioneer Style Dress for Vintage Barbie w/Free Patterns @ ChellyWood.com #BlackHistoryMonth #PioneerDays #DollClothesPatterns

In front of a turquoise blue mottled backdrop, a Barbie with brown hair, bangs, and the Steffie face mold models a handmade pioneer-style dress. The dress has a scoop neck, puff sleeves, and a floor-length skirt. It's made of tan gingham check fabric, and it has gathered cuffs with a thin lace trim at the end of each puffy sleeve. The doll's head is cocked slightly to her left, accentuating her innocent facial expression. The ChellyWood.com logo is in the lower right corner of the photograph.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

For your free patterns and tutorial videos, please scroll down to the second set of bullets.

You may recognize the lovely doll I’m showing above. Yes, she’s the “Steffie” face mold doll that I rescued from my local GoodWill, and I’ve been cleaning her up and making her some pioneer-style clothes.

There’s a long story behind my choice for Pioneer-style clothes.

In 2019, women across the United States celebrated the centennial anniversary of the passage of the 19th Amendment, giving women the right to vote.  At that time, I signed up to take a class on pioneer women in Idaho (the state where I live) at Boise State University.

One of the people I learned about in that class was a little-known pioneer named Elvina Moulton. She was the first documented Black Idahoan woman pioneer, and I wanted to honor her memory by sharing her story with you today, for Black History Month.

In this photo, we see a woman of African heritage seated in a black-and-white photo. Her hair is grey. Her dress has long black sleeves with white lace cuffs and white lace collar. The text reads as follows: "Elvina Moulton has a special place in Boise's history as its only documented African-American woman pioneer. Born into slavery, she walked the Oregon Trail from Missouri to Boise, settling here some time before 1867. Miss Moulton worked for a laundry, as a seamstress and housekeeper, saving enough to purchase her own home near 10th and Idaho [streets]. She later moved to a home on South 4th Street."
Image used with permission from First Presbyterian Church of Boise, Idaho. All rights reserved.
As you can see on the information sent to me by the First Presbyterian Church of Boise, Elvina Moulton was born into slavery and walked from Missouri to Boise, along the Oregon Trail.

That’s right, I said WALKED. Can you imagine?

So I made the pioneer dress, thinking it might look something like Elvina’s dress — but that was before I saw this photo of her. Now I’m thinking about including the gingham dress as part of a series of costumes in honor of Elvina Moulton. Maybe this gingham dress can be her “work dress” and another of my designs can more accurately represent the dress in the photo (perhaps her “church” dress).

But I want to do more research on her. I’d like to travel to Boise this spring or summer to see one of her actual dresses (perhaps the one that’s shown in her picture). I may also make an apron (like seamstresses and laundresses would have worn in the 1800’s) and perhaps a pair of bloomers with a petticoat.

That’s my plan. I really want to delve into Miss Moulton’s life, learn more about her, and create some type of memorial doll clothes patterns, to honor her amazing pioneer spirit here on my website.

But now let’s see how I created my Elvina Moulton “work dress…”

A woman's hand holds a tan gingham dress bodice against a mottled turquoise blue background. The dress bodice is inside-out, so we can see that the bodice portion is lined with gingham that looks slightly darker than the fabric of the sleeves. This indicates that the bodice front and back are lined, while the sleeves are not. The sleeves are gathered at the shoulder and they appear to have a "gathered look" at the wrists, but this is likely due to the presence of a casing that runs a long the bottom of each sleeve, encasing the elastic that creates the gathered appearance. We see a nub of elastic sticking out of one of the casings on the right. This bodice is unattached to the dress's skirt, and the fabric at the bottom of the bodice is raw and slightly frayed. The sleeves end in narrow lace embellishments. There's a logo for ChellyWood.com in the lower right corner of the photo.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

I actually used the pattern from my Renaissance “princess dress,” which is shown below:

A made-to-move Barbie models a Renaissance gown decorated with tiny fleur de lis patterns. She stands with one hand at her hair, where she wears a cute little blond messy bun. (There's also a clamp in her hair reminiscent of the combs women wore in their hair back in the 1600's or so.) She poses before a spackled lavender colored wall, and her dress, which is black with white embellishments sharply contrasts against this pretty background color. The watermark in the lower left corner of the photo says "Chelly Wood."
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

The “outer sleeve” cut line was used to create a casing for the gingham dress. Below, you’ll see the sleeve with its elastic casing at the end. This image is showing the sleeve inside-out:

A dress bodice has been turned inside-out, to study the garment's sleeve in detail. The garment appears to be laying on a white window sill, as the sunlight coming in through the window leaves shadows on the gingham fabric. At the end of the sleeve (where the hand would come through), the gathers are quite tight, making it hard to tell where the casing encloses the elastic. However, from this angle, we can see that the casing's elastic is what's creating the appearance of a ruffle at the end of the puffy sleeve. In the lower left corner, we see the ChellyWood.com logo.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

Okay, now when I place my fingers inside the end of the sleeve and straighten out the elastic end, you can really see the casing nicely:

In this photo, a woman's index finger and middle finger have been inserted into the inside-out end of the pioneer dress's sleeve. She is spreading her fingers apart to show the casing, which makes a channel right at the base of the sleeve, for the elastic to pass through. With the dress bodice inside-out, we can see that the casing is a separate cut of fabric, not part of the sleeve's original cut. The lace is sewn between the sleeve and its casing. The Chellywood.com logo appears in the upper right corner of the photo.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

I don’t know if you can tell, but both the sleeve and the casing are separate pieces. I folded the casing along its two longest sides and tucked these in before sewing the casing to the base of the sleeve.

Now I just need to decide which doll to use to represent Elvina. I don’t have any dolls that look like her, per se, but after last Tuesday’s discussion about the identity of my “Steffie” face Barbie, I’m considering using her.

I agree with JoAnn W. and Shari A., who both suggested that this doll is an early Teresa. So this doll is a “woman of color,” although Mattel never meant for her to represent a Black person.

But Elvina went through such hardships in her life, like this little doll did! Just look back at last Tuesday’s blog post to see what I mean.

And I think the Steffie face mold looks more like Elvina than any of my African American dolls. Have a look:

Image of Elvina Moulton alongside a number of different Barbie dolls. Who looks most like Elvina? Place your vote at ChellyWood.com
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

I really want to honor this lady! So who should I pick to represent her? The dolls shown above are (left to right from Miss Moulton’s photo), the Steffie face mold doll that we think is probably a Teresa doll; a recent African American Tall Barbie fashionista; Queens of Africa; Petite Barbie.

I also have the Made to Move Barbie shown below, but I don’t think she’s a good fit either. Her face is too “smiley,” and after enduring slavery and walking all the way from Missouri to Idaho, I can’t imagine Elvina Moulton spending her days in cheerful bliss. I mean, I hope she did, but let’s be real here…

A Barbie with chocolate complexion wears a handmade Barbie hat that has a cone shape on top and a wide brim, like a witch's hat. The fabric on top of the hat is black with little candy corn shapes decorating the black cotton fabric; the underside of the hat is yellow like Barbie's strappy top. The logo reminds us to go to ChellyWood.com for free patterns and tutorials showing how to make this witch hat for your Barbie dolls.
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

What are your thoughts? Should I use the Steffie face mold Teresa doll (who kind of looks like Elvina), or should I instead use a doll that’s meant to be Black for sure? Please leave your comments. I’m curious to know your thoughts.

And please share this blog post with friends and family of color. I want an honest, unbiased opinion from the African American community at large.

Today’s patterns will fit these dolls:

Here are your free, printable PDF sewing patterns and tutorial videos for making the outfit shown at the top of this page:

Feel free to pinlike, or tweet about my free patterns and tutorials. You’re welcome to share the following image on social media as well:

Here we see a bodice front and back, plus a sleeve (short and long) pattern for Barbie and other 11 inch fashion dolls. This is part of a "princess dress" pattern that's free as a PDF printable sewing pattern at ChellyWood.com
Please visit ChellyWood.com for free printable PDF sewing patterns and tutorial videos for making doll clothes to fit dolls of many shapes and all different sizes.

Disclaimer/Credit/Affiliate Marketing Link:

*ChellyWood.com earns money by linking to Amazon, eBay, Michaels, Etsy, and other online affiliate programs. Links provided above may be affiliate links. For a full list of my affiliate programs, and to understand how cookies are used to help this website earn money, please see my “Privacy Policy” page.

To honor the trademark rights of the doll companies mentioned in this blog post, I am including links to their websites here. Please feel free to visit their website and consider purchasing one or more of the dolls mentioned.

Queens of Africa dolls are products offered by the Slice by Cake company, which holds the trademark for them (™). They were designed by Taofick Okoya. Please visit the Queens of Africa website to learn more about their company and its trademarked toys, books, and fashions.

Barbie, MTM Barbie, Francie, and Vintage Barbie dolls are products offered by Mattel, which holds the registered trademark for them (™). Please visit the Mattel Toys website to learn more about their company and its trademarked toys.

Liv dolls were products designed and distributed by the Spin Master company, which still makes dolls and toys today (although the Liv dolls are no longer in production at the time of this blog post). The Spin Master company held the trademark for the Liv Dolls (™). Please visit the Spin Master Toys and Games website to learn more about their company and its trademarked toys and games. Please be aware that the Chelly Wood animated doll is a Spin Master Liv doll that has been re-painted and had its wig colored to appear to look like the real doll clothing designer, Chelly Wood. This was done as a creative project by Chelly’s daughters, and the Spin Master Toys and Games company was not involved in the doll’s makeover in any way.

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